Monday, 28 March 2011

Research, Data Collection, Facts Finding


Video Projection Mapping



A beautiful stop-motion music video entitled "Her Morning Elegance", directed by Oren Lavie. It was assembled from 2096 still photographs that were shot and sequenced to create the sense of movement.




Video projection using tridimensional mapping on models and surrounding walls.


A unique physical 3D video-mapping experience by turing a white living room into a spacious 360° projection area. This technique allowed us to take control of all colors, patterns and textures of the furniture, wallpapers and carpet. All done with 2 projectors.



Webcam Motion Detection

I have a motion detection project, what do I need to know?

A motion detector systems can give your PC eyes, letting it respond to external events by capturing images, or triggering actions. However, there’s a bewildering array of possible set ups, not all of them useful to you. You need to carefully identify webcam for motion detectionyour needs, and then get tools that are good enough without being too much... overkill can kill your budget!

You'll require both hardware and software. You’ll also need advice, because motion detection and video capture are still emerging technologies and might not be as "plug & play" as you would like. Hopefully, the following will help you get started….


"I need my computer to be able to see...
really see, not just act like a glorified VCR."


What does motion detection software do?

Motion detection software captures video from an input device and processes this video in real-time to find significant changes between frames. How it responds to these changes depends on what you’ve programmed it to do. Historically, most serve complex security systems and require special equipment. However, general purpose motion detection software like Zone Trigger is now available.

General purpose motion detection is intended for the ordinary users and moves motion detection away from its original security context, bringing it to new places where it can be used to interact with people, automate processes, and replace costly custom hardware with simple non-intrusive monitoring.

For example, the following applications show how general motion capture can reduce costs, increase quality or enable something that wasn't possible before:
  • Monitor the state of boxes on a shelf using a single standard camera rather than many specialized sensors.
  • Enhance interaction with clients viewing a conference stand by using a multi-zone motion detection.
  • Achieve a new level of audience immersion by adding motion detection to an artistic installation.
  • Optimize flow through your bricks and mortar store by monitoring motion through various zones.

Good general purpose motion detection software should let you determine exactly what kind of motion to look for and then permit a range of responses, e.g. taking pictures, recording videos and sending e-mail notifications. The best software should also be able to analyse the movement itself. Typical operations include:
  • Motion Detection: This is the simplest and most versatile technique. The software looks for anything that is different from one video frame to another. It compares pixel color and brightness (chrominescence and luminescence) without trying to identify anything. It can be trigged by moving objects, lights on/off, shadows, and even vibrations.
  • Flow Control: Using motion detection techniques, the software goes one step further and finds the general flow of motion within the video.
  • Pattern Matching: The software tries to match the input image to a reference image.
Scientists and animators also use software that supports motion tracking in a controlled environment. Future advances in hardware and software may make this viable “in the wild”, along with routine gesture recognition- something with a myriad of possible applications.


What kinds of cameras work for motion detection?

USB cameras (“webcams”)
USB connections for webcams
USB cameras, usually called “webcams”, are the quick and dirty solution to hooking a camera to your PC. All you need is the supplied driver software, so you can be up and running in minutes. Better yet, USB cameras are Direct-X compatible and work with almost any video capture software.

However, there are snags. Though you can connect lots of webcams to a single computer, they’re more or less limited to arm’s reach because a USB cable is not designed for distance.

More importantly, USB cameras vary in quality. Cheap ones don’t always provide clear or accurate images. Artefacts (visible defects) include motion blur and oddness caused by compressing the image before sending it to your PC. Some also do badly in poor light conditions, providing grainy images and low frame rate.

The good news is that some good quality USB cameras have a high resolution and fast frame rate video. Some even come with zoom lenses (note that an automatic variable focus lens is not desirable as it may introduce movement when auto-focusing). Video resultion varies greatly depending on the model, from standard 320x240 to "doesn't fit the screen". Don't let this amount of pixels be your only guide for judging the quality of a camera;The price of the camera is your first clue about the quality of its images.

DV cameras (“camcorders”)
Firewire connections for camcordersDV cameras – the DV stands for “Digital Video” - are the high-end solution. Often called “camcorders”, these provide awesome image quality and a fast frame-rate. They are almost always equipped with a zoom, and may have nice features such as night-vision. Compatible with Direct-X, they should work with most any recent video capture software.

Like USB cameras, DV cameras are tied to your PC by cable length, this time Fire-Wire (IEEE 1394). However, the main downside is that they’re expensive.

IP cameras (“network cameras”)
RJ45 connections for IP camsIP cameras, often known as “network cameras”, are more complex remote-controlled devices that connect to a network instead of directly to your PC. Since they are digital, some can supply very high-resolution images, often with superior image quality.

IP cameras are not physically tied to your PC since they can broadcast video over a local network (CCTV) or the Internet. Most have embedded web-servers, and some have internal motion-detection systems. You can also find wireless IP cams that will connect directly to your Wifi network.

Network cameras can be expensive, costing about the same as camcorders. Usually lacking Direct-X drivers, they rarely work with motion detection software unless it specifically supports them. I usually recommendAxis IP cameras and Foscam as they use a standard http protocol, and some models even have optionnal Direct-X windows drivers for optimal compatibility. Zone Trigger has been tested with Axis and Foscam network cameras.

Analogue cameras
RCA connections for analog cameras
Analogue cameras belong to a whole different world. They are fast, provide images with no compression, no artefacts, no motion blur, and use any cable length you need. They may be equipped with a zoom or infra-red vision. Some are even “wireless” (but watch the reception quality, since local interference might compromise motion detection).

The downside of analogue cameras is that they are complicated and resource-intensive. Connecting one to a PC requires video capture hardware. In operation, this can hog the system resources, so your PC probably might not be able to do anything else! Many analogue cameras produce interlaced images, requiring special – often 3rd party – software filters, which may introduce artefacts or reduce picture quality. Overall, using an analogue camera requires a more powerful computer than a standard USB camera would.

Progressive and Interlaced video image examples


The compatibility of the motion detection software is dependent on the video capture device. Here are a few capture devic
e types:

  • TV capture cards: These turn your PC into a TV -tuner and DVR, and usually have inputs for external devices such as cameras. Most are compatible with Direct-X, but not all software has options to control channels and inputs.Webcam Zone Trigger can use them.
TV capture card, used for connecting a camera to a computer
  • USB video capture dongles: These are easy-to-use connectors enabling you to plug your analogue camera into a USB port. This is great because they are portable, can be used on laptops, and you can have several connected to the same PC. As for TV capture cards, not all software will be able to use them properly. Make sure to select the correct signal from the settings (PAL / NTSC) Webcam Zone Trigger can use them.
USB video capture dongle, this is the EasyCap device.
  • Multi-channel cards: These support between 4 and 16 cameras at the time, and vary in quality and price. Unfortunately, at present there is no standard for software compatibility. They are usually not Direct-X compatible, meaning that you are probably stuck with the bundled software.
Multi-channel video capture card

What are good conditions for motion detection?

In the best conditions you must have the following:

  • A well fixed camera - stability is key if you want to isolate motion!
  • Stable light, no flickering.
  • Contrasting background - white objects against white background might not produce great results.
  • High camera frame rate and resolution. It goes without saying that if you want to detect a race car, you'll need a fast camera. The motion detection process can only be as good as the input images. If your motion detection needs are simple, than a low-end webcam might be sufficient.


Child Abuse

Violence against children

© UNICEF Malaysia/2006/Nadchatram
Violence against children includes physical and mental abuse as well as injury, neglect, exploitation and sexual abuse.
Tragically, children experience violence in all spaces most familiar to them: in homes, schools, parks and communities they live in. They also suffer abuse and exploitation in orphanages, on streets, in the workplace, in cyberspace as well as in places of detention.
Factsheet: Child abuse in Malaysia
Like in most countries, only extreme child abuse and neglect cases are reported in Malaysia, often involving tragic elements of disturbing injuries, sexual abuse or even death.
International experience suggests that reported cases are likely to represent only 10 per cent of total cases perpetrated as most victims and their families remain too ashamed or unable to report the violations against them.
Violence affects children’s physical and mental health, impairs their ability to learn and socialise, and undermines their development as functional adults and good parents later in life. In the most severe cases, violence against children can also lead to death.
The causes of violence against children are complex. Family breakdown, stress, chronic poverty, unemployment, mental health disorders, substance abuse, homelessness, community violence and lack of quality parental time contribute to cases of abuse and neglect of children.


LONDON, United Kingdom, 13 July 2009 — Starting today, MTV audiences around the world will see a new music video that aims to raise awareness about sex trafficking. Featuring the rock band The Killers, the video is an exclusive collaboration between UNICEF, MTV EXIT (End Exploitation and Trafficking) and the US Agency for International Development.

The track, Goodnight, Travel Well, is from the album Day & Age. The video is the second in a series of music video collaborations that highlight the danger and impact of human trafficking.

The series launched last year with an award-winning film - produced by MTV EXIT that featured the Radiohead single All I Need.

"We are deeply shocked and appalled that women and children are forced into such exploitative situations, said a spokesperson for The Killers. We hope that through MTV's efforts, and this powerful video, millions of people across the world learn about this tragic form of modern-day slavery."

The video for Goodnight, Travel Well has the potential to reach more than 500 million households in 168 countries.

There is almost no country in the world now that isnt affected by human trafficking in some way, said UNICEF Chief of Child Protection Susan Bissell. The statistics are staggering. More than 1.2 million children are being trafficked each year and nearly 80 per cent of all trafficking is for sexual exploitation, and the most at risk are girls.

We see this music video as a powerful way to reach out and raise awareness among young people, across borders and across language barriers, she added.

The Goodnight, Travel Well video was directed by film and music video veteran David Slade, in collaboration with the renowned production company Anonymous Content. The creative concept was developed by the Australian advertising agency CRC, with support from the UK music consultancy Huge Music.

The video provides insight into the realities of trafficking, with a particular focus on the trafficking of children and adolescents into forced prostitution.

Child Rights & Protection



An ethical imperative
Children’s rights to protection from violence, abuse and exploitation are clearly laid out in the Convention on the Rights of the Child (CRC), reflecting a basic human consensus that a world fit for children is one in which all children are protected.
Article 4 (Protection of rights):
Governments have a responsibility to take all available measures to make sure children’s rights are respected, protected and fulfilled. When countries ratify the CRC, they agree to review their laws relating to children and to take all necessary steps to ensure the CRC's minimum standards are met. This involves assessing their social services, legal, health and educational systems, as well as levels of funding for these services.
Article 11 (Kidnapping):
Governments should take steps to stop children being taken out of their own country illegally. This article is particularly concerned with parental abductions. The CRC's Optional Protocol on the sale of children, child prostitution and child pornography has a provision that concerns abduction for financial gain.
Article 19 (Protection from all forms of violence):
Children have the right to be protected from being hurt and mistreated, physically or mentally. Governments should ensure that children are properly cared for and protect them from violence, abuse and neglect by their parents, or anyone else who looks after them. In terms of discipline, the CRC upholds that any form of discipline involving violence is unacceptable.
Article 20 (Children deprived of family environment):
Children who cannot be looked after by their own family have a right to special care and must be looked after properly, by people who respect their ethnic group, religion, culture and language.
Article 21 (Adoption):
Children have the right to care and protection if they are adopted or in foster care. The first concern must be what is best for them. The same rules should apply whether they are adopted in the country where they were born, or if they are taken to live in another country.
Article 22 (Refugee children):
Children have the right to special protection and help if they are refugees (if they have been forced to leave their home and live in another country), as well as all the rights in the CRC.
Article 32 (Child labour):
Governments should protect children from work that is dangerous or might harm their health or their education. While the CRC protects children from harmful and exploitative work, there is nothing in it that prohibits parents from expecting their children to help out at home in ways that are safe and appropriate to their age. Children's work should not jeopardise any of their other rights, including the right to education, or the right to relaxation and play.
Article 33 (Drug abuse):
Governments should use all means possible to protect children from the use of harmful drugs and from being used in the drug trade.
Article 34 (Sexual exploitation):
Governments should protect children from all forms of sexual exploitation and abuse. This provision in the CRC is augmented by the Optional Protocol on the sale of children, child prostitution and child pornography.
Article 35 (Abduction, sale and trafficking):
Governments should take all measures possible to make sure that children are not abducted, sold or trafficked. This provision in the CRC is augmented by the Optional Protocol on the sale of children, child prostitution and child pornography.
Article 36 (Other forms of exploitation):
Children should be protected from any activity that takes advantage of them or could harm their welfare and development.
Article 37 (Detention and punishment):
No one is allowed to punish children in a cruel or harmful way. Children who break the law should not be treated cruelly. They should not be put in prison with adults, should be able to keep in contact with their families, and should not be sentenced to death or life imprisonment without possibility of release.
Article 38 (War and armed conflicts):
Governments must do everything they can to protect and care for children affected by war. Children under 15 should not be forced or recruited to take part in a war or join the armed forces. The CRC’s Optional Protocol on the involvement of children in armed conflict further develops this right, raising the age for direct participation in armed conflict to 18 and establishing a ban on compulsory recruitment for children under 18.
Article 39 (Rehabilitation of child victims):
Children who have been neglected, abused or exploited should receive special help to physically and psychologically recover and reintegrate into society. Particular attention should be paid to restoring the health, self-respect and dignity of the child.
Article 40 (Juvenile justice):
Children who are accused of breaking the law have the right to legal help and fair treatment in a justice system that respects their rights. Governments are required to set a minimum age below which children cannot be held criminally responsible and to provide minimum guarantees for the fairness and quick resolution of judicial or alternative proceedings.
Article 41 (Respect for superior national standards):
If the laws of a country provide better protection of children’s rights than the articles in the CRC,
those laws should apply.


General Statistics

According to the Department of Social Welfare, 1,999 and 2,279 incidents of child abuse were reported in 2006 and 2007, respectively.

In 2008, the number of child abuse reports went up to 2,780. This figure included 952 cases of neglect, 863 cases of physical abuse and 733 cases of sexual abuse.

Incest accounted for 529 cases, which amounts to 72% of the sexual abuse cases reported in 2008. In the same year, 58 cases of abandoned babies were also reported.

Statistics in 2008 also show that out of the 2,780 child abuse incidents reported in Malaysia, 772 offenders were mothers of the victims, while 494 cases were attributed to fathers of the victims.

STATISTICS

(NB. Statistics cited are as of end of 2008 and sourced from the Department of Social Welfare)

Sketches

First Draft




Second Draft (After first consult)


Finalized Chosen Proposal: Obscured

Research Topic
Fear within ourselves. How it varies between each person. Endless possibilities of imagining things, trying to analyze and figure things out, and the courage to take the step to face it.

Problem Identification
Not everyone is open to express certain emotions.

Aim & Objective
To instill awareness and urge the public (users) to take actions by facing their own fears within them.

Motivation
To explore human consciousness in dealing with delicate issues.

Ideation & Concept
User enters the installation space, a young girl's room, with certain arrangements of items on the bedside table. Curious users might possibly pick up any one if the items, triggering the projector placed above the bed to project image mapping that suggest movements on the bed and the sounds from a man and a young girl that suggests she is being abused. Users experience a story-based interaction without actually seeing what is happening, but the movements and sounds that could paint the image in their heads. Chapters of the stories varies between different items, ranging from physical abuse, sexual abuse, emotional abuse, and even child neglect.

Review, Analysis & Precedent Studies

“Victims like to be aggressors sometimes, and aggressors are often reconstituted victims. People actually may become more actively aggressive when they feel forced into a passive position.


Design Approach
Installation space would have to be roughly half the size of an average bedroom, fitting a bed, a bed side table, and some space for the users to move around. A projector is placed on top of the bed, projecting images on it. bedside table top are turned into a custom keyboard with certain items placed on it's place to function as buttons when users pick the items up.

References 
      MMD2133 emotion folder (image file used during lecture)


Monday, 21 March 2011

Draft Proposal - Idea 4


Research Topic

· To study the emotion of being afraid of something or situation

Problem Identification

From what we can tell and what we have discussed, one of the biggest technical challenges we think we will face is the scripting. We have to do more research to get a good script. Besides, the design of the installation also play an important role, we need to design it according to plan so that it becomes perfect.

Aim & Objectives

· Our objectives designing this interactive installation art is to study the emotion of being afraid of something or situation

Ideation & Concept
There is a creepy background design and a webcam in front of it, when the user sees on the webcam screen, they will see themselves and there is a ghost behind. However, when looking back or side of them, the ghost was not there. That ghost only appears on the screen.

Review, Analysis & Precedent Studies

Design Approach

Installation space would have to be roughly 3-5 meters. Has a creepy design on the wall. The screen and the webcam will be placed in front of the wall.

References

· http://1.bp.blogspot.com

· http://missdelirium.deviantart.com

· http://edge-works.deviantart.com

· http://th08.deviantart.net

· http://donthilo.deviantart.com

Draft Proposal - Idea 3


Research

To study the emotion of being afraid of something or situation

Problem Identification

From what we can tell and what we have discussed, one of the biggest technical challenges we think we will face is the scripting. We have to do more research to get a good script. Besides, the design of the installation also play an important role, we need to design it according to plan so that it becomes perfect.

Aim & Objectives

Our objectives designing this interactive installation art is to study the emotion of being afraid of something or situation. Besides, we want to learn the emotion and expression of people. We want to put this interactive installation art design in a dark place. This is to make sure the user feel afraid.

Motivation

To tell the user to always be careful with strangers

Ideation & Concept

The installation would be an emotion of a scary footsteps wondering around follow exactly what we do, such as when we enter the projector area, if we walk slowly, the footsteps will walk slowly as we do. When we run, it sounded like it was chasing us from the back and stop when we stopped. The installation is to react and interact about our inner feeling of being afraid and curious when something we heard around us and how we care about our surrounding, either it is safe or it is not. The sound from speaker is put at our back and left and side so we can exactly feels the footsteps is following us and near with us. The sensor will tell the computer how fast or slow the person move and the computer will generate the sound as the same speed as we do. The things that we need is surrounding area is a black and dark room, a low light to show the path, speaker, computer and sensor.

Review, Analysis & Precedent Studies

“this is for example to be the entrance and way for user walk through it”


Design Approach

Installation space would have to be roughly 10-20 meters, V shaped with entrance and exit on each ends. Speakers are placed along the way, to ensure there is always have a sound of footsteps. Moreover, we will not put a lot of lights, is because they want to raise a spooky atmosphere. Entrance and exit is covered with a black cloth, instead of a proper door.


References

· http://1.bp.blogspot.com

· http://missdelirium.deviantart.com

· http://donthilo.deviantart.com

Draft Proposal - Idea 2



Research Topic

Microemotion is a study of interactivity. The users influence the installation by inputting their emotions The installation provides users with emotional statistics and trends based on frequency, location, and weather information collected. The installation is dynamically updated to reflect the dominant emotional mood. The users interact with the current emotional through sound, text, and colour. Users move and catch emotion words using their own silhouette and other objects. Users make loud noises, triggering the installation to emit reactive sounds and display new words. These form a sort of conversation between the user and the installation space.

Problem Identification

From what we can tell and what we have discussed, one of the biggest technical challenges we think we will face will keeping track of where each user is within the space. Assigning emotions into a database is fairly straight-forward, as is projecting emotion rings around a person from above.

Some ideas for possible solutions: Colour tracking or some other video-based tracking. We would likely require more cameras to view from the side, and might affect how we choose to handle lighting within the installation. Besides, we have to give users something to help us track them. For example, something with a specific colour or sound.

Aim and Objectives

· To reflect the dominant emotional mood

· To emit reactive sounds and display new words

Motivation

The more predominate the emotion, hence the larger the font and the more leeway the word has to travel outside of the user created shadow

Ideation and Concept

The idea is about compatibility. The user walks int

o the room and a halo surrounds them with different emotions or perhaps descibing their profile

. When one user approaches another, there could be an attraction or rejection symptom. If two emotions attract then the halos of each user become joined. The more users together the more attraction or rejection. This is just an interesting take on compatibility between users. Of course we are still using text as our visual element. We think the idea of the rings around the user on the ground is awesome, probably not too tough eith

er from what we have been looking at. We think we could definitely create a simple installation around this, or work it into something more complex, although we even like the idea of just simple white panels, with all of the focus being on the floor. The biggest unresolved issue is how do we assign an emotion to each person. Is it based on their movement? Something they touch or they type in or say or position their body, which could be difficult, but super cool if it worked. Alternatively, we could define poses for each emotion and flash them or display them in some other way so that people would know to “do a pose” in order to acquire an emotion ring or it could be based on where they walk initially when they enter, or the colour of their clothes? Or some combination of these, or something else entirely. We will focus on touch or light or sound sensors.

Review, Analysis and Precedence Studies

There are few interesting articles about dealing with

translating the emotional and gestural aspects of dance and movement into related sounds and instruments. The articles are kind of expand on the ideas proposed.

  • http://dafx04.na.infn.it/WebProc/Proc/P_005.pdf
  • http://www.edu.gov.on.ca/eng/curriculum/secondary/arts910curr.pdf

We have been doing some readings with emotions

and facial expressions. Here are some PDF’s we found relating to Ekman’s research. We have not had time to go through all the documents in detail but they seem to be useful information.

  • http://www.csun.edu/~gk45683/Ekman%20(1992).pdf
  • http://www.paulekman.com/wp-content/uploads/2009/02/Basic-Emotions.pdf
  • http://www.paulekman.com/wp-content/uploads/2009/02/Facial-Expressions-Of-Emotion.pdf
  • http://www.english.upenn.edu/~cavitch/pdf-library/Gladwell_NakedFace.pdf

The last thing that we thought would be necessary

to include is the actual “Gesture Dictionary” that they propose using to determine the emotional aspects of movement.

· http://recherche.ircam.fr/equipes/analyse-synthese/wanderle/Gestes/Externe/index.html

Design Approach

We think we need a really solid idea of how we want to tie everything together. Just because it is feasible to have input through large over-sized items doe

s not necessarily mean that the installation will make sense. Ideally, it might be more enjoyable if we could come up with ways that users can interact and influence the installation without necessarily moving around objects with sensors in them. For example, if we could use video and sound detection to sense where in the room people are g

ravitating and then capture input from them, strictly text perhaps, we could translate this into less direct input. Another idea we had was that instead of mixing all of the emotion words together throughout the installation, it could be divided into the 6 themes, or however many we decide. For example, one wall per basic emotion. We could then detect emotions from users sim

ply based on their location within the installation. To make this more interesting, we could trace the shadow of the users on each wall. Perhaps using text or some other cool light grafiti in the shape of the person and give them the characteristic

s of that particular emotion. For example, user come into the installation and user go over to the the sadness wall or area that is displaying all kinds of sad words, maybe using shades of sad colours, moving the words around in a sad way. A camera tracks users movement and projects users shadow on the wall in amongst the text. So now it is almost as though the room is influencing the user, not just the other way around. We could have the user hold or wear some kind of object as they come in, or leave different objects. Even something simple like cubes or spheres of different colours around the installation that users can touch. There are also different input forms that we can look at like temperature, touch or motion sensors. We can also have have the standard text input through keyboard, computer or phone. We could even explore things like connecting different users by their location, mood words nearest them, type of words they input, colours they are wearing and amount they are moving. Or we might also track user paths through the room to create a sort of inverted light or shadow graffiti.

Sketches


Draft Proposal - Idea 1


Research Topic

Fear within ourselves. How it varies between each person. Endless possibilities of imagining things, trying to analyze and figure things out, and the courage to take the step to face it.

Problem Identification

Not everyone is open to express certain emotions.

Aim & Objectives

· To instill awareness and urge the public (users) to take actions by facing their own fears within them.

Motivation

· To explore human consciousness in dealing with delicate issues.

Ideation & Concept

User enters the installation space, alone in the dark, and the only sounds they can hear is creaking bed frame, a man breathing heavily and a child in discomfort. Curious user will walk towards the source of the sound, reaching an area where it will trigger the spotlight and video projection. The area is the bedroom of the child, in a complete mess, suggesting signs of resistance. The video projection flickers, showing the man caught in action molesting the child and ran. The child is left alone crying, looking at the user in sympathy, and looking at the mess in her room. Video projection ends, and user is left with the choice to do something about it, or to leave. If the user chooses to do something, they must’ve have understood the subtle hints given by the girl, looking at the mess in the room. The only thing a user can do is to re-arrange the bedroom into its right place, and it will trigger a sound of swings creaking and children playing from the exit area. User then proceeds towards where the sound is coming from and exits through the black curtain, back into the real world.

Review, Analysis & Precedent Studies

“Victims like to be aggressors sometimes, and aggressors are often reconstituted victims. People actually may become more actively aggressive when they feel forced into a passive position.”

http://www.psychologytoday.com/articles/199809/think-shrink

Design Approach

Installation space would have to be roughly the size of a bedroom, U shaped with entrance and exit on each ends. Spotlight, speakers and projector are placed in the middle of the U, on top of the ‘bedroom’ area. Furniture such as bed, bedside table, photo frames, dolls, are placed in the middle of the U. Another speaker is placed near the exit. Entrance and exit is covered with a black cloth, instead of a proper door.

References

· http://www.psychologytoday.com/articles/199809/think-shrink

· MMD2133 emotion folder (image file used during lecture)